The best road cycling routes around Punerot

In the 18th century, the church of Saint-Brice was attached to the parish of Autreville, deanery of Neufchâteau, diocese of Toul. It was under the patronage of the canons of Saint-Euchaire de Liverdun, now in Meurthe-et-Moselle. The current building was constructed in 1768 at the instigation of Jean-Baptiste Panel, parish priest of Harmonville and Autreville since 1763. A foundation stone preserved in the south wall mentions, which is quite rare, the names of the contractors and the king's architect, residing in Metz »: Dominique George. Only one other church is known to be attributable to him, that of Maizières, in Meurthe-et-Moselle. The two contractors, Dieudonné Mariiez and Jacques Jérôme Prétot, are moreover from this same village. Archives attest to the numerous repair works carried out during the first half of the 19th century, which ended with the purchase of a clock (1841) and three bells (1843). The building is, as is often the case in the region, a barn church whose plastered nave ends in a pentagonal choir with a ribbed vault. The nave and choir are covered by a long tiled roof of mechanical tiles replacing the original hollow tiles. The in-built bell tower is, for its part, covered by a slate spire on a square base. Built in rendered rubble – the ashlar being exclusively reserved for the facade – the church is of great sobriety, tempered neither by the visible corner chains, nor by the molded segmental arch lintel of the portal, nor by the sculpted decorative element, perhaps an old eucharistic oculus (15th century?) inserted into the masonry of the bell tower. Inside, the choir has retained its wooden paneling. The two side altars, the pews with turned wooden armrests and feet, the pulpit adorned with lambrequins and topped by an angel blowing its trumpet, are very likely contemporary with the construction. The church of Saint-Brice preserves a statue of Saint Roch (last quarter of the 16th century) from an old chapel that housed a hermit in the 18th century, and an octagonal baptismal font with a baluster base. In 1998, for the repair of the plasterwork and zinc roofing of the church, the Sauvegarde de l’Art français granted aid of 75,000 F.

This church is attached to the parish of Sainte-Jeanne-d’Arc and Saint-Elophe of the diocese of Saint-Dié. A sober church with simple architecture, it was reportedly first built in the 14th century, then rebuilt in the second half of the 19th century. Located in the center of the village, next to the Chapel of Beauregard, it contains several statues listed as movable heritage, such as Saint John the Baptist or the Virgin and Child, otherwise known as Notre-Dame de Maxey.

We particularly enjoyed the history of the town, situated on the Meuse River. The beautiful town hall was built in 1847/48 on the site of a monastery in the Italian Renaissance style. In front of the town hall stands the gigantic equestrian statue of Joan of Arc, revered by the French. This cast-iron monument weighs 2.5 tons. Joan is said to have conquered the city. There is also a Joan of Arc Museum in the town.

An unusual church because of its shape (round). To the left of the gate there is a water tap.

Vaucouleurs takes its name from this part of the Meuse river, called Val des Couleurs. This Joan of Arc town (dedicated to Joan of Arc) was located a few kilometers from the front during the First World War. Today, it is a charming village with many streams and beautiful forests.

A pretty hilly road through the vineyards between Blénod-lès-Toul and Barisey-la-Côte

Round church that must be visited. Supply of drinking water incl.

An evening walk across the bridge to the neighboring town of Vaucouleurs is also worthwhile. There is a supermarket and various restaurants.