Attractions and Places To See around Brie-Sous-Archiac - Top 19

Consider deviating from the cycle path for a few minutes. Church your real the detour

The church is in the form of a rectangle thirty meters long and ten meters wide, flanked by 4 buttresses, one of which is located on the north wing and the 3 others on the south wing, a bell tower and a small extension on the south west part housing a chapel dedicated to the Virgin Massive building, reinforced by buttresses, low and poorly lit, it has a facade with a Romanesque portal surmounted by a large rose window. This gate is made up of 2 straight legs, and a projecting coving made up of 3 semicircular rollers with a keystone. The oculus rose is surrounded by a frieze with a sawtooth motif. The porch opens onto a single nave 22 m long by 9 wide without side aisles. It is made up of 4 bays with semi-circular vaults. The south wall is pierced under the 1st bay with a large semi-circular arch giving access to the chapel. The north wall has a pulpit which bears a monogram which would be that of Louis XIV. The choir of the church, raised from the nave by 3 steps, consists of a flat chevet and a span of semi-circular vaults. The bedside wall is pierced at each end with a rectangular door allowing access to the sacristy. The old sacristy has just been refurbished and has a very modern look with paneling on the floor and ceiling. The chapel of the Virgin is located on the southern extension of the church. It measures 13.50 m long by 7 wide, and consists of a small single nave 10 m long by 7 wide and a choir with a flat apse. The floor of this chapel is 1.25 m lower than the floor of the church corresponding to the initial floor of the old abbey. Access to the bell tower is through a door located on the east wall of the nave of the chapel. It consists of 4 floors and a vaulted ground floor. The facing is made up of medium-sized cut stone for the ground floor and the 1st floor and rubble stone coated with brown lime for the 2nd and 3rd floors.

In the second half of the 12th century, a long nave (32 x 8 m) was built, with a west facade with blind arcades and a flat chevet. In the 13th century, the west portal was rebuilt up to date and the nave received perhaps its first ribbed vaults. A Gothic bell tower-porch was built in front of the nave in the 15th century, which lengthened the church by some five metres. The floor surmounted by a spire is pierced with twin bays, underlined by a cord. Its base forms a marthex. On each side of this closed porch are two small chapels with vaults decorated with coats of arms and reproducing corner consoles sculpted with grotesque characters. The 12th century facade is pierced by an ogival portal. The arches fall on the 3 capitals of the torus columns. The door is flanked by 2 blind arched bays with a zigzag band and diamond points. Around the portal, an inscription: “The French recognize the existence of the supreme being and the immortality of the soul”. In the 15th century, the nave was doubled to the north. This vaulting was destroyed during the wars of religion and the ribbed vaults were redone in 1872. The large broken arches which separate the 2 vessels from the nave fall into penetration on large cylindrical piles. On the south wall, a group of 3 columns decorated with large foliage receives the ribs of the vaults. The south side wall from the nave to the chevet was rebuilt with old materials, some of which are carved stones. The large tracery canopy is followed by 3 Romanesque windows decorated with billets and diamond points. The choir with a flat apse is lit by a Romanesque triplet with small columns and polylobed arches. It is a provision that we find rather outside the churches. Outside, these 3 windows have no columns and are surmounted by a cornice shaped like a whistle on brackets and a large half-moon opening. In 1996-1998, a restoration campaign brought to light mural paintings and a funerary liter, a striking portrait of death. Special features to see also: a very beautiful stone pulpit and wrought iron railing from the 19th century as well as an oil on canvas, "Crucifixion", from the beginning of the 19th century.

Baignes Abbey became a parish church after the revolution. It was part of the diocese of Saintes until the middle of the 19th century. The foundation of the Abbey would seem to date back to the 11th century. It was ransacked during the 100 Years War and then destroyed by the Protestants. The current building is totally different from the Old Abbey due to the destruction/modifications that have taken place.

The city gate, called 'Porte de ville vieille', which gives access to the old town was built between the 13th and 15th centuries and allows you to reach the very typical houses of the town center of Jonzac. It was classified as a historical monument in 1926.

In 1073, the castle already exists; the first known lord was Guillaume de la Rochandry at the beginning of the 12th century. The 1449 inscription on the castle attests to its reconstruction following the destruction caused by the Hundred Years War. In 1505, Jean de Sainte-Maure, lord of Jonzac, founded the Carmelite monastery on the remains of an old chapel dedicated to Saint Nicolas. The cloister was built in 1657. The young Louis XIV, the Queen Mother and Mazarin stayed at the castle in 1659. The castle remained at Sainte-Maure until the end of the 17th century, then passed through marriage to Espardes de Lussan, which transformed the fortress in beautiful stately home with neat ornamentation and guard until the Revolution. Currently the north wing of the castle houses the buildings of the Town Hall (restored in the 19th century), and the south wing, those of the sub-prefecture. The cloister was restored between 1976 and 1978, and now houses a cultural center, with exhibition halls and an archaeological museum. The towers, postern and fountain in the basement date from the 12th century. Of the old feudal castle, only the postern and an isolated tower remain, connected to the main body by a large hall. The moat in front of the drawbridge was filled was filled in the 19th century. It was reopened at the beginning of the 21st century. The imposing gatehouse is marked 1549 and therefore dates from the 16th century, a period of work including the north-west tower, while the south-west tower, of a smaller diameter, is from the 17th century. The towers flanking the postern have retained their defenses. At each, the loopholes have been retained or enlarged. Stone stairs serve each floor and access the walkway. This passage seems to have been discovered, as evidenced by the gargoyles. The crenellation includes machicolations with archers in the middle of the merlons. The slate roofs are high pepperboxes on the towers, and a curious set with two sides connecting two pepperboxes for the gatehouse The fountain located in the basement of the sub-prefecture, has a niche and a niche frame decorated with sculptures imitating stalactites. Carved mask. The fountain was probably built by Léon de Sainte-Maure, Count of Jonzac, who enlarged and embellished the castle in the middle of the 12th century. In a former courtyard of the castle, a theater was built in the 19th century. It is a round building with approximately 300 seats.

The Seugne crosses a single department, in this case that of Charente-Maritime, watering thirty-six communes and seven cantons. The Seugne has its source in the canton of Montlieu-la-Garde, then crosses the cantons of Montendre, Jonzac, Saint-Genis-de-Saintonge, Pons, Gémozac and, finally, confluences in the canton of Saintes-Est. The Seugne has eighteen tributaries or referenced arms. The old forms of the name Seugne are flumen Soenna around 1100, Sonye in 1280, la Soyngna in 1322, la Soyngnhe in 1354, aqua Soynnie in 1363, Souaigne in 1494. The current pronunciations, Seugne and Souègne, are based on a medieval form Soïgne, which the scribes of the 13th and 14th centuries had difficulty transcribing. According to Duguet, a more recent spelling, Seuigne was misread and interpreted Sévigne in the 19th century.

In the second half of the 12th century, a long nave was built, with a west facade with blind arcades and a flat chevet. In the 13th century, the west portal was rebuilt to modern taste and the nave received its first ribbed vaults. In the 15th century, a bell tower-porch flanked by two small chapels was erected in front of the Romanesque facade; the three bays of the nave are widened by the construction of a north aisle; the two vessels are vaulted with warheads. In 1872, after the destruction of the Wars of Religion and the replacement by a tilis ceiling, the ribbed vaults were restored in plaster on laths. A restoration campaign took place in the years 1996-1998.