Attractions and Places To See around Formigais - Top 20

Bit of uphill walking to get there.

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Closes at 4pm (May 25), the courtyard has been kindly opened until 5pm.

The Praça da República and the Igreja Matriz de São João Baptista are the historical and cultural heart of Tomar, a city deeply linked to the history of the Knights Templar in Portugal. This square is the nerve center of Tomar, surrounded by historic buildings and offering a charming atmosphere.

The Templar Castle was built at a strategic point to defend the territory and support the conquest beyond the Tagus River. Construction began in 1160 under the Templar Master D. Gualdim Pais. The north wing and higher ground housed the Templar Palace, with two pillars: to the east and at its highest point, the citadel with its rectangular control tower, and to the west, the fortified religious temple—the Templar Charola. Several towers and turrets are located along the extensive wall. The entire outer perimeter of this wall was protected by a rampart—a stone wall simulating a hill at the base, thus impeding the advance of assault engines, sentinels, and climbers. The wall, towers, and quadrangular and semicircular turrets contain rectilinear loopholes and broad battlements. The various military-architectural solutions undoubtedly originate from the Middle East, where King Gualdim Pais stayed for five years during the Crusades. The Charola was probably built or completed shortly after the fortifications and is intended to commemorate the Holy Sepulchre and Solomon's Temple. This castle was also the headquarters of the Knights Templar in Portugal. https://opctj.pt/castelo-templario-charola-e-convento-de-cristo-de-tomar/ The castle complex, with its walls and extensive gardens, is open to the public free of charge.

This impressive window is part of the Manueline Church and Chapter House of Manuel I. The Manueline church nave is adorned, both inside and out, with lush symbolic, heraldic, and sacred sculptures. All architectural elements – corner basins, pinnacles, buttresses, windows, etc. – are characterized by figurative motifs of deep plasticity that conceal their architectural and structural function. The most striking example of this formal design are the windows of the Manueline church. Originally there were three, today two remain: The second window, facing south, is visible from the main cloister; the other, on the west facade, is known as the Janela do Capítulo. This window is flanked by two huge buttresses and is adorned with a lush world of figures that includes maritime themes (wood, rigging, buoys, etc.), the insignia of the Order (the heraldic cross, the armillary sphere, the coat of arms of the kingdom), and symbolic figures characteristic of the mysticism of spiritual knighthood and the mission of the Order of Christ in the Discoveries. http://www.conventocristo.gov.pt/pt/index.php?s=white&pid=187&identificador=ct116_pt From the inside, the window appears rather unremarkable.

Detailed plans of the complex, including the identification of the individual parts and monasteries, can be found here: https://campanha.cmjornal.pt/portugal-monumental/ https://de.wikipedia.org/wiki/Convento_de_Cristo#/media/Datei:TomarChurchPlanCC3-pt.jpg https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjONUon4tGroEfnLT311dfFBPy 7gkSdMIt7aDFXuB2X61MqnwjBYUVJwZs3nELeNox-cEindezimgkuppLnXY6-XxrO-2WJQ_62jz9Qme64FlLgng2leHtQJZ3iuys8kl6z1fh1M1Ns6SOV/s1600/05Tomar.jpg https://de.wikipedia.org/wiki/Convento_de_Cristo#/media/File:TomarChurchPlanCC3-pt.jpg

The Church of Saint John the Baptist (Portuguese: Igreja de São João Baptista) was built between the 15th and 16th centuries by King Manuel I in the Manueline style. As its name suggests, the church is dedicated to Saint John the Baptist. The church features many interesting artistic details, such as the flamboyant Gothic portal, the Manueline tower with a 16th-century clock, the decorated capitals of the interior columns of the nave, and several panels painted in the 1530s by one of Portugal's most important Renaissance artists, Gregório Lopes.