The best traffic-free bike rides around Boissy-En-Drouais

The first mention of the existence of the Church of Saint-Martin de Nonancourt is a 12th-century charter, but the original building probably dates back to the 7th or 8th century. The bell tower that now occupies the middle of the façade dates from the reconstructions of 1204. During the Hundred Years' War, the church was largely destroyed, like many buildings in the region. The side aisles, nave, and choir were rebuilt in the 16th century. The Chapel of the Virgin, also known as the Chapel of the Rosary, was also added. The Church of Saint-Martin contains numerous works of art, some of which are listed: neo-Gothic and Renaissance furnishings, including the centerpiece, the pulpit, a veritable wooden lacework; a variety of statuary, a 16th-century organ case and finally an enigmatic fresco discovered during recent works in 2001. The stained-glass windows of the church constitute a truly remarkable collection, both in terms of their number (26 in total) and their quality. The lower windows of the nave are the oldest pieces, dating from the 1500s, while the upper windows date from the 1520s and 1530s.

The current church was almost entirely rebuilt in 1542 on Gothic foundations. The Gothic church was reportedly destroyed in 1424 by the English. According to legend, Saint Lubin, Bishop of Chartres, came to rest in this place, which housed a recluse inhabited by a monk. A chapel was built there towards the end of the 6th century.

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The Saint-Rémy church in Saint-Rémy-sur-Avre is dedicated to Saint Remi of Reims, Bishop of Reims who baptized Clovis in 496 in the Notre-Dame Cathedral of Reims. In the 12th century, it marked the border between the Duchy of Normandy and the French royal domain on which Saint-Rémy-sur-Avre depends. It is a flamboyant Gothic church from the 15th century, probably rebuilt since we have mention of its existence since the end of the 11th century.

Église Saint Madeleine is a church where beautiful various statues of Saints, famous and less famous. The reason for so many different statues is that the school of sculpture was established here.

Parish united in 1803 in Saint-Sauveur, in 1807 in Marville-les-Bois and in 1840 in Saint-Sauveur.

The parish church of Escorpain, dedicated to Saint Germain, is a very simple building, rectangular in plan and of modest dimensions. With a single nave, it ends with a flat chevet; a sacristy is attached to the north side of the choir; the gable wall of the façade is topped with a slate spire. The church is mentioned as early as the 12th century. The small rubble stonework, which also bears the traces of numerous alterations, and the small openings, three in number in the north wall and only one in the south wall, constitute the oldest remains of this building which was extensively restored in the 19th century. It was in fact from 1886, thanks to the generosity of the Firmin-Didot family that the building was raised, as evidenced by the gable wall of the façade. The nave was then covered with a panelled vault, replacing the previous framework: the 1886 inscription mentions previous work campaigns, in the 17th century in particular. The entire interior was redesigned, not without unity, in a neo-Gothic style. As for the two large bays in the south wall, probably pierced in the 16th century, they were greatly altered during this campaign. For the repair of the exterior masonry, the rendering of the façade, the roofs of the nave and a slope of the sacristy, the Sauvegarde de l’Art Français granted this unprotected church a subsidy of 80,000 F in 1994.

Placed under the patronage of Saint-Lubin, bishop of Chartres in the 6th century, the church of Prudemanche has experienced many vicissitudes over the centuries. Ruined during the English invasions and then devastated by the Protestants, the current building is said to be the third construction, undertaken at the dawn of the 17th century. Its style, very simple, is even said to have been deliberate so as not to offend the austerity of a part of the population who remained Calvinist. Rectangular in plan, the nave is extended by a choir with a flat chevet of the same width. To the northeast of the church, a sacristy has been added, accessible by a side door of the choir. The nave is pierced with semicircular bays probably coming from the original Romanesque building. The raftered nave frame supporting the truss is paneled. The walls are made up of a wooden frame with flint masonry infill mounted with lime mortar. The façades and the chevet are supported by powerful buttresses of grison. According to a drawing from 1852, the initial portal to the west had a double bay occupying the width of this arch. The roof is made of old flat tiles, while the bell tower with a quadrangular base is covered in slate. The furniture consists of a single altar, a bench, a pulpit, a glory beam and two statues remaining from the old altarpiece of the 15th century. On the north side of the nave, wall paintings appear under the 19th century rendering. For the consolidation of the masonry of the choir, the repair of the roof and the framework, the Sauvegarde de l’Art Français granted, in 1997, a grant of 15,000 F.