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A beautiful church with beautiful houses hidden in an ancient but romantic village, it's worth a stop. The Saint-Étienne church in Brives-sur-Charente is recent. It was consecrated in 1868 and reflects the 14th-century Gothic style. It replaced an older church, of which only a baptismal font, listed as a historic object in 1922, and a capital remain. This font, square and made of a single block of siliceous limestone, is a rare specimen of 12th-century sculpture and symbolism. Certain characteristic features, such as the draperies, allow it to be dated to the 1150s. On three sides, we discover the Annunciation made to Mary, then on the main face of the font, Christ officiating in heaven, and finally Christ descending into hell, savior of souls.

HISTORY OF THE HOUSE OF HINE In 1791, Thomas Hine (1775-1822), then aged 16, left his native land on the south coast of England to go to France… in the middle of the French Revolution. He went to Jarnac, Charente, where he was hired as a clerk in the Ranson et Delamain trading house, which produced his father’s favourite cognac. James Delamain (1738-1800), a Huguenot who had emigrated from Ireland, founded the trading house in 1763 with his father-in-law Jean-Isaac Ranson. On 3 October 1797 (13 Brumaire Year VI), Thomas Hine married Françoise Élisabeth Delamain, daughter of James Delamain and Marie Ranson. In 1817, the Ranson et Delamain house was liquidated, the heirs having been unable to agree on the succession. The eponymous son-in-law founded Thomas Hine & Co, and his cousins Paul Roullet and Henri Delamain (James' grandson) founded the Maison Roullet et Delamain seven years later, which would become Delamain et Cie. The links between the two Protestant Jarnac families remained close, and Thomas Hine's great-granddaughter, Adrienne Hine (1850-1922) married Philippe Delamain (1847-1902) - they had sons Jacques and Robert Delamain. Today, as in Thomas Hine's time, the Hine establishments line the banks of the Charente in Jarnac. The logo is inspired by Hine's speaking arms, hind meaning doe in Old English. He is lying down, his head turned backwards, symbolically looking towards England2. In 1962, Hine was granted the Royal Warrant of Her Majesty Queen Elizabeth II, and became the official supplier of cognac to the Court of England. In 1987, the company was bought by Moët Hennessy. In 2003, it became the property of the CL Financial group, which emerged from the Angostura group. The House was bought in 2013 by the Edv company. TYPOLOGY OF HINE EAUX DE VIE The House of HINE is located on the banks of the Charente, in the heart of the Cognac region. In the cellars, which ensure the protection of the precious vintages under seal, little has changed in more than 260 years. From the neighboring quays once began the journey of HINE cognacs around the world. This house is one of the oldest in Jarnac. Cognacs exclusively from the Grande and Petite Champagne vintages, a distillation with the lees, and an aging in fine grains with a light to moderate heating. Here, every manufacturing detail will be revealed to you. > To find out more: - https://hine.com/fr - Address: 16 quai Orangerie 16200 Jarnac - 05 45 35 59 59 - Visits, Tasting and Purchases possible - Opening periods: From 01/04 to 31/12 Monday, Tuesday, Wednesday, Thursday and Friday from 9 a.m. to 5:30 p.m. Excluding public holidays. Full price: from €20. Free for children under 18. (Subject to change)

Magnificent We can also have a picnic

A must-see visit alongside this abbey on a magnificent circuit

This small town of less than 400 inhabitants is located in a hilly and wooded area. It is part of one of the stages of the GR 360 long-distance footpath. It is worth going past the abbey and the church while crossing the town! Both were built at the beginning of the 12th century.

A particularity is located in the gallery of arcature which overhangs the portal. Indeed it has three arched windows on one side of the central window and two semicircular on the other. Note that the two bays on the right occupy the same width as the three on the left. The bell tower, like many others in the region, has a pyramidal roof. Simple columns come to partition the two windows which cover each face. Inside the church, archival documents prove that the nave with two bays was originally vaulted with warheads. Unfortunately, this vault was destroyed during religious wars. Still according to archival documents, it would seem that at the beginning of the 20th century, a narthex, where the catechumens were held, leaned on its facade. Today, it has completely disappeared. The church was classified as a historic monument in 1913. The building underwent a complete restoration in 1935. To admire just next to the church a magnificent and majestic period residence.

The walls of the nave were doubled by means of arcades and it was endowed with a new chevet and a new bell tower. With an elegant silhouette and intact in its southern part, it is openworked with four twin bays on semicircular arches on two floors. The interior has a nave with three bays. A bay separates the nave from the front choir vaulted in blocks of rubble which, very narrow, supports the bell tower. The semi-circular apse is vaulted in cul-de-four. The 19th century side chapel, dedicated to Saint Anthony, is located on the left as you enter. Vaulted in a broken cradle, it has a stucco altar whose base has five broken arch bays. A very beautiful ornate wooden balcony dating from the end of the 19th century is located at the interior entrance of the church. The statue of Notre-Dame de Fontdouce, known as "the Virgin and Child" was sculpted by a monk from the Abbey of Fontdouce around the 15th century. It has been kept in the church of Saint Bris des Bois since the revolution and was once a destination of pilgrimage. On the back wall, a semicircular stained glass window indicates the names of the parish priest, Mr. Hague, and the mayor at the time, Mr. Lévécot (1904). The Priory of St Robert: the chapel destroyed during the wars of religion, the campanile is still in place. Saint Robert once had a great reputation, at the end of the 19th century, children suffering from certain illnesses were still brought there "before sunrise". The church was listed as a Historic Monument in 1973. To visit it you will have to pay your tribute just the price of a slight effort ....... the church is located at the top of the hill overlooking the village and adjoining the cemetery.

Towards the end of the 12th century, an abbey church was built. At the beginning of the 13th century, attached to the west of the first Romanesque abbey, a Gothic-style cloister was gradually built. The abbey reached its peak from this period: in addition to its priories (la Grainetière in Vendée and la Tenaille near Pons), it owned land within a radius of 100 km, including saltworks on the coast. In the 15th century, Fontdouce obtained the title of royal abbey leading to a profound change in its mode of administration: the abbot was no longer elected by his peers within the community but was appointed by the king. It is often a great layman to whom the king grants the commendation, that is to say 80% of the income of the abbey. Then, the wars of religion, in the 16th century, accelerated its decline. The abbey church is ransacked: it will never be rebuilt. The years following the French Revolution also brought their share of destruction: several buildings, including the refectory, disappeared. The last monks were driven out in 1793 and the following year the site was sold as National Property to serve as agricultural property. The farmer who bought the place then built, on the remains of the conventual buildings, a house in the First Empire style. In the 1820s, Fontdouce entered the family of the current owners who, on December 16, 1986, had the Gothic parts, chapter house and parlor classified as historical monuments2. From 1970, the current owners undertook a series of excavations intended for the restoration of the Abbey of Fontdouce. They are gradually bringing the beautiful chapter house and the Gothic parlor back to life, the two superimposed Romanesque chapels and several other remains. These restoration works earned them third prize in the masterpiece in danger competition in 1979. In 1986, the site was entirely classified as a Historic Monument1. Today, Fontdouce remains a private property, focused on tourist and cultural activities, supported in its development actions by a team of enthusiasts grouped together within the Association Guillaume de Conchamp.