The best traffic-free bike rides around Médis

A very beautiful old church. Concerts (choirs, orchestras) sometimes take place in the evenings, which are highly recommended.

Exceptional view, the most beautiful village in France.

Even more beautiful after its restoration

Magnificent port

I suspect that most people simply drive past this Christian site, first mentioned around 1050 AD, later buried by a sand dune and later re-excavated. The church's age is partially apparent, especially from the inside. And pilgrims can also get a stamp here.

The church suffered little damage during the Hundred Years' War and the Wars of Religion. From the end of the 18th century, maintenance work was undertaken mainly inside the church. In 1822, the reconstruction of the bell tower framework began, followed in 1852 by the restoration of the west facade. A further restoration took place around 1860, and the sacristy was enlarged by the construction of a semicircular annex extending the Romanesque apse. Beginning in 1880, a roof repair campaign began, and a new belfry was installed in the bell tower. From 1890 to 1900, the cemetery surrounding the church was moved to the "Fief des Rentes," and the former burial site was transformed into a public square. Starting in 1926, the choir roof was replaced and the bell tower was made watertight. In 1971, the work program included the renovation of the exterior walls, the demolition of the false apse and the sacristy that concealed the apse of the south transept. In 1990, the main door was replaced with oak leaves, the stones were repointed, and the collapsed arch keystone was reinstalled. In the 2000s, the municipality repaired the mechanism of the two belfry bells, and the building was illuminated and maintenance work was carried out.

The Church of Our Lady of Corme-Écluse, the seat of a former Benedictine priory of the Abbey of the Ladies of Saintes, was donated around 1104 by Ramnulfus Focaudi (Bishop of Saintes between 1083 and 1106) to the Royal Abbey of Saint-Jean-d'Angély "so that he might always enjoy it and possess it in perpetuity." This abbey was thus responsible for the reconstruction of the sanctuary in the mid-12th century in the Romanesque style. A plaque affixed to the south wall of the nave contains a few historical snippets, still legible: 1200, the Benedictines completed the construction and adorned the church with an oak statue of the Blessed Virgin; 1327, the Abbot of Saint-Jean-d'Angely and an envoy of Pope John XXII prayed before the venerated image; In 1628, a pilgrimage was established to venerate the statue; In 1733, the statue was mutilated. The desecrator was punished. The church's plan is a slightly asymmetrical Latin cross (the north arm of the transept is longer than the south arm). The nave consists of two bays covered by pointed barrel vaults. It is lit by three symbolic windows rebuilt in the 13th century. A transverse arch separates the nave from the transept, whose crossing, under the bell tower, is covered by a cupola on squinches. The south arm of the transept opens onto an apse with a semi-dome vault. However, the north arm, rebuilt in the 17th century in the Romanesque style, is slightly longer than the south arm, and is designed on a rectangular plan without an apse. This arm has a portal with columns and toric rollers. After passing the triumphal arch, the choir begins with a straight bay covered with a semi-circular barrel vault and ends with a semi-circular vaulted arch.

Upon arriving in Corme-Écluse, it's only natural to stop at the church square, the heart of the Cormillon village. On this square, facing the town hall, stands the Church of Notre-Dame. Walk around it to admire the architectural details characteristic of the 12th-century Saintonge Romanesque style. The church was the seat of a former Benedictine priory of the Abbey of the Ladies of Saintes. The sculpted decoration of the Abbey of the Ladies certainly inspired that of the church of Corme-Écluse. This was often the case; mother abbeys were taken as examples by the priories that depended on them in terms of architecture and sculpture. In some cases, it is even assumed that the sponsors, artists, or craftsmen were the same people or at least from the same circle, sometimes descendants. Since the 13th century, the monument has been the destination of numerous pilgrimages that continue to this day. The pilgrimage takes place on the third Sunday of July in the convent gardens, followed by a procession to the Church of Our Lady.