The best road cycling routes around Billancelles

Magnificent ceiling with the possibility of lighting it up

According to tradition, the church choir covers the remains of an older building, possibly dating back to the 6th century, which was built to house the saint's body. According to current knowledge, the commune of Saint-Piat (Sanctus Piatus in Latin) officially appeared in 1087, mentioned in a charter of the Nottonville Priory (Eure-et-Loir), on which it depended. The current building was rebuilt during the time of Francis I, as suggested by the date 1535 engraved on two buttresses of the apse and the date 1542 engraved on a piece of wood from the vault. This is according to a study by the SAEL (Eure-et-Loir Archaeological Society). The three-sided apses, the dripstone towers (horizontal members projecting from a wall), and the sculpted roof structures are a testament to the importance of the reconstructions carried out in the department during the 16th century. The church of Saint-Piat is one of them. While the church has not been officially recognized, it nevertheless contains objects that have attracted attention both for their antiquity and quality, but not always for good reason. Their artistic value, far from attracting only religious or aesthetic interest, has also aroused a covetousness that, unfortunately, remains for some of them. Fortunately, those still in place are carefully cared for and offer the curious a story to discover, a beauty to slowly ponder as they progress toward the choir.

Superb castle in the Perche!

superb car-free road

Unfortunately, the church was not accessible when I visited (mid-September 2024). You could only look in through a gate and the dance of death depictions on the left side were not really visible. In front of them were transparencies with skeleton drawings. Maybe those were the depictions...

Every year, during the Heritage Days, the association "Au Cœur de Nos Villages" opens the doors of the Saint-Pierre church. A building from the 12th and 15th centuries, listed as a historical monument, whose bell tower, clock, and five renovated altarpieces, including Saint Michael slaying the dragon, are to be discovered. For the benefit of the Restos du Cœur Walkers will also be able to get to know the Atelier Arc-en-ciel (plastic arts) which exhibits the works of the adult group. Paintings, in red chalk, white pencil, sepia, etc., representing views of the church, statues, etc., will be put on sale for the benefit of the association Au Cœur de Nos Villages.

Of course there is the castle but the rest of the village is really worth a stop (church, wash house, half-timbered house, etc.)

Its construction undoubtedly dates back to the Romanesque period but as it appears today it presents the characteristics of the Gothic style flamboyant period in which it was rebuilt after the destruction caused by the 100 Years' War. The date of March 23, 1511 inscribed on the entrance which surmounts the entrance to the choir gives a valuable clue to the period of its renovation. Another testimony is the coat of arms of Charles d’Ô Seigneur de Blévy and partly by Louise Gentil married in 1507 appearing on a stained glass window in the choir. The style of the tower porch, slopes of the gable of the nave and tracery of the windows clearly shows that we are in the presence of a building constructed in the first quarter of the 16th century at the twilight of the flamboyant Gothic style.