The best road cycling routes around Les Gonds

The Abbaye-aux-Dames is built around the church of Sainte-Marie, built in the twelfth century. Famous for its facade and its characteristic "pinecone" bell tower, it is one of the emblematic monuments of Saintonge's Romanesque art. After several wars and fires, the place was restored in the 1970s and 1980s and is now a hotel. When you walk through the long corridors you feel like you have been transported back to the time when the abbey was still alive.

Like many amphitheaters in the Roman Empire, that of Saintes was built on the outskirts of the city in a place now called "Vallon des Arènes" (Little Valley of the Amphitheater). The LTS builders took advantage of the local topography to build part of the amphitheater. Today, despite the disappearance of its superstructure, the remains give a very good idea of what this amphitheater looked like in its heyday. The site is now open to visitors all year round.

A former Benedictine abbey created in 1047, Abbaye-aux-Dames was the first women's monastery in Saintonge. These powerful women were nuns, that is to say, nuns living cloistered and having taken a vow of piety, occupying their lives in contemplation. They carried the crosier, in other words the pastoral staff of a bishop, and minted coins. Richly endowed, the abbey carried its influence well beyond the borders of the county and over time it became one of the most powerful women's monasteries in all of South-West France. With up to a hundred nuns at its peak, it was entrusted with the mission of instructing young girls, often from the French nobility, and counted among its most illustrious residents the future Marquise de Montespan, favorite of Louis XIV. The Abbaye-aux-Dames is structured around the Sainte-Marie church, built in the 12th century, famous for its facade and its characteristic “pine cone” bell tower. The premises were restored during the 1970s and 1980s and now house a Cité de la musique in which the Saintes Festival dedicated to classical music takes place each year. You can also stay in a wing of the building, the cells having been converted into hotel rooms, and leave your bike in a secure room.

With origins dating back to the Gallo-Roman era, the town of Saintes accumulates sites and monuments like so many layers of a centuries-old history. From the banks of the Charente to the height of the Capitol, there is so much to see along the streets of the city: the Germanicus arch, the thermal baths, the Saint Pierre cathedral, the Jacobins convent, the Musée de l'Echevinage , the Saint Eutrope Basilica, the footbridge over the Charente, etc. The heritage is omnipresent and offers many surprises and viewpoints.

The Santons people occupied Saintonge during the Gallic era. The Romans conquered the region and settled on the banks of the Charente. The town of Saintes (then designated Mediolanum), located at the western end of the Via Agrippa which linked Lyon (capital of the Three Gauls) to the Atlantic coast, quickly became monumental. At the time of Augustus (27 BC – 14 AD), the city probably became the capital of the province of Greater Aquitaine (Aquitania). This then extended from the Loire to the Pyrenees. Mediolanum is endowed with important public monuments: the amphitheater, the arch of Germanicus, the thermal baths and the aqueduct are still partially visible today. At the time of its peak (end of the 1st century – beginning of the 2nd century), the city must have had several thousand inhabitants. The amphitheater of Mediolanum is one of the earliest in Gaul. It is estimated that its construction began during the reign of Tiberius (14 – 37 AD), and was completed during the reign of Claudius (41 – 54 AD). Like many amphitheaters of the Roman Empire, that of Saintes was located on the outskirts of the ancient city in a chosen and developed site: the “vallon des Arènes”. Thanks to a favorable topography, the builders were relieved of part of their work, the amphitheater resting on the slope of the valley. This elliptical monument, with imposing dimensions (126 meters long and 102 meters wide), made it possible to accommodate several thousand spectators around bloody and violent representations such as gladiator fights (munera) or animal hunts (venationes ). In the 3rd century, the city declined and was entrenched within an impressive rampart, built from the remains of public and funerary monuments from previous decades. The amphitheater is then no longer used. Since the Middle Ages, it has been used, among other things, as a stone quarry. It was classified as a Historic Monument in 1840. It was from this moment that it was gradually restored. Today, despite the disappearance of the superstructures, the remains provide a faithful image of what this monument could have been at the time of its splendor. The site welcomes visitors all year round. Certain objects found during various excavations in the amphitheater district are visible at the archaeological museum.

Built in the 11th and 12th centuries, this church, listed as a historic monument in 1912, is a spectacular work of art. Well worth the drive past when crossing town!

Certain foundations of small elongated freestones bear witness to a building from the end of the 11th century or the beginning of the 12th century. The nave was taken over in the second half of the 12th century and reinforced by arcades. If the base of the bell tower is characteristic of Romanesque architecture, its upper part bears the mark of the first Gothic age. The octagonal stone spire crowns a bell chamber based on a similar plan, the sides featuring alternating single bays and twin bays. Finally, the north wall and the facade were redone in the 19th century, the first bay of the nave having been shortened in order to widen the road passing in front of the church41. Like the majority of churches in the region, the Saint-Pierre de Gémozac church is based on a plan in the shape of a Latin cross. It consists of a single nave with four bays covered with a pointed barrel vault, which was completely redone in the 16th century. Inside, arcades respond to the buttresses and serve to reinforce the structure of the building. As in some Romanesque churches in the region, the transepts are covered with cupolas. However, if the north brace has a dome on squinches, the south brace has the particularity of having a dome on pendentives. The two arms of the transept are extended by apsidioles: the oldest (12th century), that of the south transept, forms a vaulted hemicycle; the most recent is a rectangular chapel covered with ribbed vaults. A narrow arcade opens onto the first bay of the choir. This forms a set of two spans. The first is covered with quadripartite warheads, while the second is completed by liernes. The flat apse (13th century), pierced with a triplet, testifies to the Cistercian influence on the architecture of the time. The church of Saint-Pierre de Gémozac is part of the tourist inventory of the most beautiful churches of Saintonge and is often cited among the religious buildings worthy of a visit. In certain aspects, this church is indeed one of the beautiful Romanesque churches of the Saintonge type, among which are still the remarkable churches of Rétaud, Rioux or even Thaims, all located in its canton.

The Château de La Salle certainly originated from the stronghold of Ozignac, which gave its name to the current hamlet of Louzignac, located near the castle. Located in the middle of a vast plain, the Château de La Salle is a classic building, sober, rigorous and of great coherence, which seems to have been erected in one go. Built on a north-east-south-west axis, it is accompanied, to the south-east, by a vast lateral courtyard lined with outbuildings, to which formerly corresponded, to the north-west, a tall forest which sheltered it from the winds. dominant. The set was preceded by a long straight avenue lined with trees whose layout is barely discernible today, but which is revealed by the first cadastral plan of Gémozac. It led to the forecourt which was further punctuated by two identical pavilions covered with tiles. Only the corner one remains. That of the north corner, although protected in 1990 as historical monuments, disappeared after being damaged by a fire. The castle itself is built in the axis of the forecourt, on a rectangular embankment surrounded on all sides by ditches cut in the rock, which allowed the extraction of part of the building materials. It is accessible by crossing an axial bridge with two arches. The ditches are protected by square section balusters, except in the northern part, where they have disappeared. Composed of a ground floor and a first floor, the residence of the lords of La Salle includes, on the arrival side, a main building at the back of the courtyard, framed by two symmetrical side wings. Of the same height, these three bodies of buildings are covered with a roof topped with Roman tiles, except on the two small sections placed on the side of the forecourt, where the flat tiles were used. To the south-west, on the side of the old parterres, the castle develops a more generously lit facade. Before certain openings were blocked, it had eleven bays, regularly organized from the axial bay which is marked by an elegant bridge-perron with three arches spanning the moat. Each of the two corners is marked by a fore body with three bays arranged in the extension of the side wings of the facade overlooking the forecourt (see the aerial view). The south-east side wing contains the old kitchen which is still covered with a semi-circular vault.